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Events which we taken part

Their amp simulators are solid, sonically beautiful and incredibly ergonomic (at an insanely low price point!)— your tracks really need to have these plugins at their access. Don’t sell yourself short if you haven’t heard about Kuassa before this post. If you are serious about tone and want to add some new colours to your music, hit up http://www.kuassa.com/ and be truly impressed with their sonics

Tony Vincent

My favorite is amplifikation creme as it tailors to my needs of versatility. It sounds close to amps and has that airy and roomy vibe compared to other virtual guitar amp which sounds digital to my ears.

Navire Creux

For drums, the Low Frequency processing is spot on! The gain control is smooth, give the 110Hz a 3dB boost and it elevates the overall power of the drums, giving a pleasing saturation. The high frequency is a bit too sensitive for me, so I only adds 1.5dB for extra crispness, lift above that a bit if I wants more color. For bass processing, I really like how EVE-AT4 can emphasize bass stereo image, boost 10dB at 60Hz frequency, then it's final!

DTX

We love Kuassa plugins, especially the great Kratos Maximizer. it help us to polishing the sound more efficiently.

We find all the Kuassa plugins to be of the highest quality and with great usability. The Kratos Maximizer is now part of our mixing template as we really like the ooomph it gives to the mix as a whole. We're especially fond of the texture knob - not that we really know exactly what it does - which we feel adds a cool grittiness to the digital shine.

Read here: https://www.gearslutz.com/board/new-product-alert/996298-kuassa-cerberus-bass-amp-vst-vst3-aax-au.html

"Your plugins are great. I've been using them on a bunch of films already."

Dieter Hartmann

Composer for Motion Picture, TV and Video Games

2 minutes with kuassa cerberus video computer music

9/10 Score. Computer Music Magazine

Your EQs certainly helped me perfect my sound on this album: Are We There Yet :) all the best

London Elektricity

When Vermillion & Creme were announced I was all over those, and now I tend to use them pretty much exclusively for my guitar amp sim needs. Vermillion just has this wonderful feel to it, particularly on clean guitars, that I’d been waiting for such a long time in Reason. Creme, on the other hand, was just what I needed for my heavier guitar parts, it’s just amazing at that. Between the two of them I’ve got most of my own personal amp sim needs covered, and after years of using default Line6 devices and bouncing audio out, they really came as a wonderful breath of fresh air. That said, I don’t limit my heavier stuff to Creme and vice versa – one of my favorite heavy guitar parts on Pieces (the end of the second track) was accomplished with Vermillion, so they’re both pretty versatile beasts. The ease of customization and tweak-ability, combined with a really satisfying sound is what’s made me stick with them.

Adam Fielding

I am currently mixing my new CD Peach and am using some of your plugs on it. The bass tones are massive as I am using Cerberus Bass on the tracks. I can’t tell you how big it is making the whole mix. What an incredible plugin. Also, I know we are using some other ones that the studio has.

Neil Zaza

“The plugins from Kuassa obviously helped a lot, VERY VERY VERY MUCH. The EVE AT-1 made tone-shaping effortless, always works when anything needs to be EQ-ed. Other than that, the amp sims (Vermilion, Creme, and Cerberus) simplified the process of recording guitars and bass. Its user friendly interface gives me an easier space to explore sound, especially when looking for something meticulous. Yes, I’m also using Kratos Maximizer to master the album.”

Lafa Pratomo

Photo by @anandasurio

I think the latest state of plugins sounds and feels really good, and Kuassa is one of them! Personally, those help a lot. I didn’t have to push my amps to get the sounds I wanted.

Adityawarman Balum

Balum from Agung Guitar Course / Alone at Last using Kuassa

I love the EVE-MP5 for adding warmth to my tracks! It's especially pleasant for adding a velvety texture and sheen to female vocals and acoustic guitars. Fantastic on drums, groups, or an entire mix! There are plenty of plugins that increase loudness but the Kratos is in a class of its own!

Nick Mack

Grammy Nominated, RIAA Certified Platinum Engineer for Post Malone and Macklemore.

Absolutely blown away by these Neve inspired eq's! I can actually cut and boost frequencies like I would with the real thing! I've found the entire EVE series at home on female vocals, electric guitars, acoustic guitars, or any source needing a bit of sparkle.

Nick Mack

Grammy Nominated, RIAA Certified Platinum Engineer for Post Malone and Macklemore.

Fantastic on drums, groups, or an entire mix! There are plenty of plugins that increase loudness but the Kratos is in a class of its own! Kratos helps me get things loud while retaining clarity, punch, and dynamics without the artifacts that come with most other limiting plugins.

Nick Mack

Grammy Nominated, RIAA Certified Platinum Engineer for Post Malone and Macklemore.

“The AT4 is the more characterful, its strengths being broad 'brushstroke' usage - adding sheen to acoustic guitars and vocals, for example - and general bass boosting.

9/10 Score. Computer Music Magazine

I´m the producer (as well as playing most of the guitars) and your sim is much much better than I thought it would be!!!!! It sits well in the mix without any outboard EQ'ing added, and when I get time to really sculpt the tone, I know that it will sound very very good indeed!

Peter Berlind Carlson

Professor of Guitar, Royal College of Music, Stockholm

My favorite from Kuassa is probably the Kratos Maximizer. I love the character and color it gives to any of my sound. It's good to saturate and phatten up drums. It adds bites to my lead synth. And give that warm analog feel to my master bus. It's like the Swiss army knife of saturation. And it's a decent limiter too at the same time.

Lawrence a.k.a. Random

I always love how Kuassa plugins was always quick to use. It’s like guiding your cursor here and there, and it’s instantly sounds just right. I remember using EVE-AT in the synth lines and even I change the synth’s preset into another, reshaping it to sit right in the mix won’t make that track sound crappy like standard EQ does

All posts in Event

Tony Vincent

Navire Creux

DTX

9/10 Score. Computer Music Magazine

London Elektricity

Adam Fielding

Neil Zaza

Lafa Pratomo

Adityawarman Balum

Nick Mack

Nick Mack

Nick Mack

9/10 Score. Computer Music Magazine

Peter Berlind Carlson

Lawrence a.k.a. Random

DINA DELLYANA

HOGI WIRJONO

DIMITAR NALBANTOV

LUDOVICO REALE